"Potential" is one of those wonderful
words in our language that can mean much to many but can also be
flipped at the turn of a phrase. "Potential," as defined by Webster,
is often used to distinguish someone for whom the future looms
bright. The word is often preceded by the adjective "unlimited,"
and, nearly as often, followed, closely, by reference to the sky.
Eddie Dillon was our neighborhood cynic, a rare Flatbush native who
disdained the Brooklyn Dodgers. It was Dillon who set me straight on
the word "potential" one night when we were waiting, in front of the
candy store, for the next morning's edition of the NY Daily News:
"potential," Dillon sneered, "it just means you ain't done anything,
yet."
I thought of Eddie Dillon the other night as I was walking down a
Yonkers, NY hill towards the train station. I had just watched
Maureen Shea TKO a fighter named Elisa Cleffman, inside two minutes,
at the local PAL Gym; a fight that had an outside shot at giving a
bad name to "mismatch." In fairness, Shea was coming off a twelve
month hiatus from the ring; in her words, "doing some non-boxing
related things" on MTV and working with a nutrition company. She
said she had been back in the gym "regularly since April." And, in
reality, a professional fighter doesn't take twelve months off from
competition and come back looking, right away, for a top contender.
Unfortunately, over her thirteen pro fights, top contenders have
been noticeably missing from Shea's list of opponents. But, overall,
I think it's fair to say the word, "potential" still fully applies
to Maureen Shea, in both Mr. Webster's dictionary sense and,
possibly, at the same time, in the words of Mr. Eddie Dillon of
Flatbush.
Maureen Shea turned professional in August 2005 with a :39 second
stoppage of Camille Casson, a 0-4 fighter, at the Westchester County
Center in White Plains, NY. This followed a successful amateur
career in both the National and New York Golden Gloves. The fighter
turned professional under the tutelage of Luigi Olcese and Hector
Roca, highly regarded New York trainers, an alliance that continues
to the present time. Roca and Olcese have brought Shea along the
professional path very carefully. Of her thirteen wins, only three
(one other fighter had a 1-1 record) have been against fighters with
winning records. The cumulative winning percentage of those thirteen
opponents is slightly over 40%.
By far, the highlight of Shea's professional career occurred in July
2007, when she won a decisive six round decision over veteran Olivia
Gerula, in Reno, NV. From any standpoint, this bout ranks as a good
win. Gerula had been in the ring with some of the best boxers in the
sport, including Jelena Mrdjenovich and Jessica Rakoczy, and Shea,
according to ringsiders, came very close to achieving a shutout
against a quality, veteran fighter. It was cautiously hoped that the
win over Gerula might signal, in Shea's future, more competitive
match-ups. Two months later, Shea returned to New York for a two
round TKO of Jessica Mohs, a 7-15 boxer. The twelve month hiatus
followed, ending last Wednesday evening at the PAL in Yonkers.
The shelf life of "potential" usually expires after a year or so in
the ring. By then a fighter has, conventionally, faced increasingly
competitive opposition and a clear image of the future begins to
emerge. Maureen Shea has been different. While, she has won every
bout against every fighter who has been put in front of her (there
was a "no decision" against Kim Colbert in May 2006 when Colbert
failed a post-fight drug test after, originally, being awarded a
decision), it remains the quality of the opposition that gives an
observer of Shea's career pause. Excepting Gurela, Shea has not been
in with the type of fighter usually associated with a thirteen bout
career in the sport of Women's boxing (Melissa Hernandez, by
comparison, has had 12 bouts). Shea, when asked, adamantly makes the
valid point that she does not pick her opponents; few, if any,
boxers who have trainers with the qualifications of Olcese and Roca,
do. It is those trainers who have the best insight into what Maureen
Shea is capable of in the ring and, to date, they have opted for
what can be labeled "safe" fights.
The bout in Yonkers was, to some degree, understandable; a bridge
back to competition after a year out of the ring. That's a fact.
Here's another: if Maureen Shea wants to establish credibility in
the sport of Women's boxing, which, from a competitive standpoint,
she has yet to do, she, quite simply, has to go up the scale in
quality opposition. Thirteen wins against, for the most part,
inferior fighters, is not the way to realize the type of
professional ring potential that Shea's amateur career seemed to
portend.
In the future, we may be told now that Maureen Shea "is back" she is
going to continue her winning ways in the ring against top fighters;
it's something that has talked about in the past and, frankly, it's
a laudable goal, both for Shea and for the sport of Women's boxing.
But, this time, those "winning ways" need to come against quality
fighters with winning records, fighters who have "been there, done
that." Those fighters aren't hard to find in the weight classes in
which Maureen Shea has thus far competed. The featherweight and
lightweight female divisions are among the most talent rich in the
sport. And, if Shea chooses to remain at a heavier weight (she was
138 in Yonkers), quality opposition is out there and those fighters
will probably need little encouragement to say yes if, and when,
Shea's management calls. Those type of quality fighters are the
competitive steps Maureen Shea needs to take to turn her
acknowledged potential into the reality of a top fighter in the
sport of Women's boxing. It's those fighters and those fights that
will determine what the real definition of potential is as it
applies to Maureen Shea. When and if that time comes, I sincerely
hope we have to go with Mr. Webster on that one.
Bernie McCoy
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